"Beachwood at Half Moon Bay" from this award winning painting series.

Sunday, June 28, 2009

Half Moon Bay



"Beachwood at Half Moon Bay"
By James Swanson and Traveler Barry
12'x36" on canvas


View the journey of this painting.

My next Traveler is a new friend on this Painting Journey. Traveler Barry and I have never met, but our paths crossed a few months back and I thought it was interesting how we met.

I was working on an advertising project and needed reference on what a beech tree looked like. I did a search for images and came a cross this beautiful landscape shot. I loved the color and lighting and knew it would make a great painting.


This picture was in a web magazine Coastsider
And it was shot by Traveler Barry near Half Moon Bay CA

So I looked up who shot the photo to find out more about it. It was kind of strange to contact a perfect stranger, but what the heck making new friends is what this project is about.


Barry was out visiting some land that he was doing a story on and took a few shots for his story. Traveler Barry was kind enough to send me the photos he had taken that day. The pictures he sent were all just wonderful and I could see them all turned into paintings.


Barry also had this comment when I asked to paint his photo,"Sure. BTW, that plot of land is still at the center of much controversy. I'd also love to see it painted as a scenic because on of the local yahoos declared it to be an eyesore."

One man's junk is another man's treasure, and this proves it. Thanks Barry for your time and photos, it's always nice to meet a new friend.



Beachwood Aged Painting: When I first saw the images Traveler Barry had sent me my jaw dropped. I was hoping for just a little more clarity about the spot I wanted to paint and got enough beautiful images for a whole series of paintings.

The Sketch- I was thinking when I saw this picture it would be just a nice little painting. A quick paint probably. After looking at what canvases I had in the studio I decided to take a shot at a long skinny painting 12"x36". Here's the sketch on canvas. This feels good, real good. What I want to do here is great a way for the viewer to get into this painting. So I'm working the shadows to zigzag me in. I'm trying a phthalo blue on my palette for the first time in a long time. It's a really strong color and a little difficult for me to mix in with the rest of the colors. It did make a few color combinations I use different, different in a good way.

Blocked-in. I'm trying a type of canvas that I never painted on before. It's really kind of slick. My brush strokes are acting a little funny not grabbing and taking hold of the canvas. I found thicker paint helps the strokes.
That was pretty fast. I must have mixed the right colors on my palette. With this type of canvas I've found it easier to smooch the paint around and am able to scratch back into the white of the canvas.

Artist Tip: Cool colors against warm colors is a good thing. Warm against cool and cool against warm is all-good. They are a good way to turn an object and give it form. Look at the little houses here. Warm light from where the sun hits and cool for the shadow side.

End of Day 1- I think I'm done or almost done. I like what I see; the long format works well with this image. Day 2: Wow I came in this morning and the painting was lying on the ground face up. Some how it fell off the easel. Weird. But the good thing is it must have done a full gainer to land right side up. That's good because still like what I see. With just a few adjustments in color and brush strokes it's done.
Details from the painting.




Here's my Beachwood aged painting.

"Beachwood at Half moon Bay"
By James Swanson
12"x36" Oil on Canvas

That was fun; I think I'm going to do a few more from that spot to go with this painting. Thanks to Traveler Barry for the pic and to you for stopping in, now I'm going back to Amsterdam to finish a painting, but after that who knows where in this world I'll be setting up my easel. You can also find me at http://www.facebook.com/TheArtistAndTheTraveler

Tuesday, June 16, 2009

"Ciao Benvenuto Villa"




"Ciao Benvenuto Villa"By James Swanson and Traveler Fran
16"x20" Oil on Linen

Join me in my effort to paint the planet from my studio, one painting at a time. Become a friend and we will travel together to make beautiful pictures. Signing inis the first step or contact me at


Step by step video of this painting, take a look.

Hello and welcome again to The Artist and The Traveler painting series. This paintings Traveler is Fran. Fran is an old friend of mine. We started off our working careers together a long time ago in advertising. She was a writer and still is, and I was an Art Director. We worked on many ad campaigns together and had some good times. But like everything else, we each followed our careers in different directions and lost track of each other.

We met up again a while ago on Facebook and have been catching up on things. In her photo albums I discovered she had gone to Italy, and had some wonderful pictures from there.
I asked if she'd mind me painting one of them? She said she would be thrilled to have me paint some pictures from her album.

And that is when I came up with the idea to Travel the world and paint from my friends travel experiences. And I thank Fran for finally saying I have a good idea after all those years in advertising. About time.

Traveler Frans story: We celebrated my boyfriend's 50th birthday by renting a villa in Tuscany with some college buddies. It was a week chocked full of pizza baking, laughing, drinking, smarty-pants remarks and generally delicious times. This was the view as you approached, but we actually didn't take this picture until the last day we were there. We arrived prepared for fun and a dash of romance. We left engaged. I suspect someone added more than a dash to one of those Tuscan recipes.

Come join me in this adventure to learn more about our surroundings and friendship. Sign in here or find me on the web www.jamesswansondesign.com/paintings or just e-mail me. Have a good travel story and some fun and interesting pictures and we can get started on a painting journey.

Traveler Fran's Painting: This painting is a little different than all the other paintings in this long series; in fact it really precedes this series. I started this painting before the concept of traveling and trying to connect the dots and people took shape.

This is why I don't have a lot of pictures of the painting from start to finish. What I have is a nice start and some good painting tips.

Here is my initial sketch or thumbnail. I always like to sketch these pictures I get from Travelers and break them down to their ascents. That helps me see what the design and composition options are, a good place to start. Know your subject, or in this case design.

Here is at the end of day one. It's OK a nice block-in I can see where it's going and needs to be pushed.


Second day of painting. It's getting close. I do need to use a bigger brush though.

Tip: Use a brush that is a little bigger than you need it for the area you are painting. There is no one-way to paint I just like to see the stokes of a painting. The colors of the painting are becoming more refined. I'm shooting for big depth in this painting.



This is the third day of painting. I think it's there. but something not yet right.

Tip: When you get to this point, it's close but you're not sure what to do, take a digital picture of it and bring it into Photoshop and look at it. The color might not be perfect but it's a great way to change things up for a look and not have to live with them.



Here I've circled and Photoshopped in some changes that I want to make. This is again a great way to help you think about your painting.

Here are the changes done in details from fixed areas.









And the finished piece.


I call it "Ciao Benvenuto Villa"- Hello and Welcome Villa. "16 x 20" Oil on Linen.

Thanks for looking in and checking out this Travelers Painting, check out my archives to see other paintings being done. OK, I'm packed and now I'm off to Amsterdam to meet up with another Traveling friend who has a surprise. Catch ya on down the road. Buon Vicino!



Monday, June 1, 2009

A Painting for a Poet.




"A Poet's Painting" By James Swanson and Traveler Jill

Join me in my effort to paint the planet from my studio, one painting at a time. Become a friend and we will travel together to make beautiful pictures. Signing in is the first step or contact me at

The Painting start to finish.


A quick trip and paint in the Adirondack Mountains. I'm working and working on a large Traveler painting right now, but it's becoming work. The painting is at a point where the paint needs to dry completely, so time for a quick paint day.

My next Traveler Jill and her family have a place in the Adirondack Mountains where they vacation all the time. I've wanted to paint this next image ever since Jill sent it to me. It reminded me of a painting I did last year that I really liked.


"Shadows of winter" by James Swanson

Remember to be a Traveler in this project, just become friends with the Artist, have a great story to share, and some type of small souvenir like a postcard or used lift ticket to contribute to the blog and painting. Jill was kind enough to send me some pictures and a map, as all good Travelers do. Connecting with old friends, making new ones, and learning about new places is what this project is about. And like I always say, "Come find me, I'll be painting somewhere." and join in the adventure to cover the world in paint.

I usually like stories to go with the Travel paintings, but Jill has come up with something a little different. And anyway I'll be painting a few of Jill's pics of the Adirondacks.


Thanks Jill.

Jill's Story: Historic Hamlet of Essex

located on the western shore of Lake Champl
ain
known for its picturesque Greek Revival architecture from 1820-1860
one of the most intact early-19th-century villages in America still existing today
and a little painterly prose:

Jill's Poem:
A brush stroke of luck found the place

Palette of history


Progress at snail's pace


A Hamlet posing for its portrait


Standing pretty much still

Will nil...

Stay

Come what may

Gravel roads give way

To glistening waters blue-gray

Rocking life to sleep all day

And I am here deciding nothing

For nothing is black or white

Just paint peeled or faded

Like old barns or curtains drawn tight

And so I blend just right

Into the horizon

Like a nice medium tone

I am home.

The Step by Step of "A Poet's Painting"
This is how I went about painting this scene from Traveler Jill.


Intial sketch
No matter if I'm painting live or from photos I always do a little sketching to warm up and get to know my subject. What I look for in these sketches is the design for the painting. You can see in this sketch a Z design that will show the viewer through the painting.

Drawn out on Canvas
This is how I start a painting, basicly transfering the sketch to the canvas. In this case it's 12"x 16' linen canvas

Block in of painting.
After mixing the colors up on my palette, I quickly lay down the paint on the canvas. Here I mixed the paint a lot brighter and more chromatic than it is, for when I paint on top of it some of this color will show threw.

Re-defining of color
This is where I'm really looking at the colors, trying to create the space in the painting.

Getting there.
I'm almost there, just a few color adjustments and strong finishing brush strokes to put in.

Painters Tip- The Palette knife: Don't think of this tool for just mixing colors on the palette. This knife comes in real handy in many ways like- laying down thick paint in a way a brush can't, making straight lines, and doing tiny details. I never feel a paintings finished if I haven't used the knife on it. The dark areas in the trees , the shack , and branches we're done with the palette knife and then lightly brushed over. I picked up this tip from the painter Richard Schmid a long time ago.

Details from the painting.


The Finished Painting.


"A Poet's Painting"
12"x16" oil on Linen

Thanks for looking in, I'm working on more paintings, so keep checking in. Remember, if you want to work on a painting together come find me and it all can start with a click of the mouse. Well my canvas and brushes are pack and I'm off to Italy to meet up with an old friend Fran, arrivederci til then.